CAIRO – The Hollywood biblical epic “Exodus: Gods and Kings” has been banned in Egypt and Morocco over historical inaccuracies and “depicting Allah”, sparking controversy in the North African Muslim countries.
“This totally contradicts proven historical facts,” the Egyptian culture minister, Gaber Asfour, was quoted by Agence France Presse (AFP).
“It is a Zionist film.
“It gives a Zionist view of history and contains historical inaccuracies and that’s why we have decided to ban it.”
According to Asfour, the film that claims that “Moses and the Jews built the pyramids” is rife with mistakes.
The decision to ban the movie followed a meeting of a committee that comprises the head of the supreme council for culture, Mohammed Afifi, the head of the censorship committee and two history professors.
By: Abu Safiyyah
The 10th of Muharram marks the day Musa (peace be upon him) and the Children of Israel were saved from Pharaoh and his army. Historically, Jews would keep a fast to mark this occasion and Muslims have continued this tradition by keeping an optional fast on this day as well as an additional fast a day before or a day after. The incident is mentioned in various places in the Qur’an and it is also mentioned in the Old Testament in the ‘Book of Exodus’.
The story of the splitting of the sea is well known but what lessons can we learn from this? Here are 5 lessons we can learn from Musa’s escape from Pharaoh.
Among the subjects treated in this sura are God’s call of Moses (Quran 20:10), the Exodus of the Israelites and the crossing of the Red Sea (20:77), the worship of the Golden Calf (20:88) and the Fall of Man(20:120).
Sura Ta-Ha (Arabic: سورة طه, Sūratu Ṭā-Hā, “Ta-Ha”) is the 20th sura (chapter) of the Qur’an with 135 ayat (verses). It is named “Ta-Ha” because the sura starts with the Arabic letters طه (see Muqatta’at). It is a Meccan sura, from the second Meccan period. The main theme of the sura is about the existence of God. It addresses this theme through stories about Moses and Adam. Sura 20 displays several thematic and stylistic patterns described by Angelika Neuwirth in Jane McAuliffe’s book “The Cambridge Companion to the Qur’an.” These include the eschatological prophecies of the Qur’an, signs of God’s existence, and debate. Additionally, sura 20 employs what has been termed the “ring structure” to reinforce its central theme.